Rabbit Hole
A review by Patrick Shannon, III
DON'T MISS THIS PRODUCTION of the Pulitzer prize winning play Rabbit Hole by David
Lindsay Abaire currently running at The Actor's Theater of New Orleans.
This play about how families can or cannot handle the unexpected death of a young child is
neither maudlin nor full of clichés. The script sounds so authentic and real, and as spoken by
this polished cast, you will be entirely mesmerized and feel as if you were spying on neighbors
through a window as they gather around the kitchen table and try to communicate their pain and
loss and share their compassion.
On a solid and serviceable set conceived by Rene J. F. Piazza which manages to create the
illusion of a kitchen area, a living room, and an upstairs child's bedroom on the small stage of
this venue, the actors give performances that make acting look so easy and without bumping into
each other they add to the illusion of space galore. This cast fits together perfectly and Mr.
Piazza has managed to keep them all, and the set, moving smoothly and professionally in such
limited playing areas. Now that's fine directing. Piazza directed the show with a very sensitive
touch but a lot of strong honest understanding. He did a remarkable job and he plays the father,
Howie, of the dead son, with an honestly that becomes moving without being unmanly.
Playing his wife with perfect timing and another honest example of acting talent at its peak is the
wonderful Chelle Ambrose in the roll of Becca. Gina Abromson plays her wisecracking sister,
Izzy, who brings a life affirming secret into the plot and she just shimmers with talent. Equally
as bright a spirit on stage is Nat, the mother of these two women, Isabel Medina, played with
poise and poetic stage presence mixed in with a steely inner core of understanding. And playing
the teenager, Jason, who accidently killed their son/grandson in a car accident is Dylan Young,
who brings an unusually mature sensitivity and talent to his role.
For a local community theater, Rabbit Hole is as good as it can ever get. True Patrons of this
fleeting and insubstantial art should flock to the theater and see it. (504-456-4111)